Villa Medicis - Denis Brasilier
"My childhood was spent in Rome as part of the Villa Medici Arts (1956-1960) among artists, architects, sculptors. I spent one workshop to another, I pencil, I painted. This atmosphere well specific impregnated me and gave me sensations, memories that I was not leaving until my teens. I then decided to express these prints on canvas, on paper. "
"After spending two years at the Ecole Nationale Superieure d'Arts Graphiques (77-79) to learn drawing and composition, I am facing Beaux-Arts in Paris, which enabled me to work different disciplines to gain the control needed to express what was to become my job (79-83). At this point, I am especially committed to working architecture, the prospect but also the morphology, the human body to unite them into a staging area in which (decor), mingles with the human body. "
Essayez avec cette orthographe : Ainsi nous avons prolongé l'esprit du lieu, celui qui nous inspire et auquel nous tenons. Saisissez du texte, l'adresse d'un site Web ou importez un document à traduire. Annuler Écouter Lire phonétiquement Traduction (français > anglais) "Out of Fine Arts (84) I started to work more thematic: Indeed, my first exposure (85) was the main topic staging, the scene viewed from an angle surreal. Then the themes of the successive presentations were the fashion, women, music (85-88). Following a trip to Africa, I realized he was missing a dimension to my work. Totems (paintings on cylinder) brought me a notion décorativequi provides a supplement to the technique of oil painting. The gesture is being freer, more spontaneous. "
From this period I felt the urge to work with
other creators with an architect (1990), a composer of contemporary music
(Franck Pecquet - 1991), as well as a fashion designer (Valerie Bensimon - 1992).
Mon intervention était avant tout "plastique". I had to lead the design and
color what I perceived in each of the steps.
After an approach to etching (1993), I returned to oil painting (1994).
Having not really a concern of synthesis in the progression of my work, I think
Yet, to observe a change in the "modern" images (which are
at the edge of contemporary and future) and should continue in that direction.
Where can I find Denis Brasilier ?
9, rue Dupuytren
75006 PARIS
Tel : 01 46 33 69 59